
I'm sure if you receive any magazines or news letters you have already heard about this. The IDX Cam-Wave HD.
There is a good overview of the product on Studiodaily.com
There are many great cameras for many situations. I personally am not brand loyal -- If you were to look at my home entertainment center, there are no two pieces of equipment that are the same brand. I like to buy the best product to suit my needs. With video cameras, typically the brand you choose will dictate the codec you work in. If you mix brands of cameras you will need to mix codecs. If you're lucky you won't also have to mix resolutions!
SDI is a standard, it is uncompressed video. most high-end cameras now have HD SDI, so you can either use a $20 cable to your DVR or a $6000 wireless HD SDI system to get to your DVR.
Here is the beauty of using an SDI workflow- The DVR doesn't have to be an expensive tape deck, it can be an inexpensive computer. On the high end is the Wafian HD-1 and similar models at about $17,000. If that is out of your budget then you can build a very capable PC that has raid for redundancy with a capture card and the wonderful Cineform codec for about $5,000. Imagine a stack of these in a truck with calibrated monitors, and soundproof walls, your location shoot could have studio comf

What I have been talking about isn't new for 2008, but the addition of Wireless HD SDI helps us to overcome a major hurdle in this workflow.
1 comment:
I found a nice addition to this info. www.freespaceoptics1.com
It's very useful, has some great videos, product info, etc.
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